THIS SHOW IS AT THE PALM ROOM IN WRIGHTSVILLE BEACH.

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ABOUT WHEELAND BROTHERS: Blending SoCal surf rock, reggae, and acoustic pop, the Wheeland Brothers are kicking off a major new chapter with the release of their latest single, “Sidelines.” The track launches an ambitious rollout that will see the band release new music approximately every six weeks over the next 18 months—delivering the steady stream of songs fans have long been waiting for.

Fresh off touring in support of Niko Moon on his American Palm Tour, the band has continued to build momentum on the live circuit with appearances at Tortuga Music Festival, Reggae Rise Up Florida, and Barefoot Country Music Fest. They are also set to perform on the Sublime Cruise 2026 and will headline their own Summer 2026 tour, bringing their feel-good, beach-driven sound to coastal stages across the country.

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Get ready to relive the greatest decade in country music with The Nashville Nights Band — the nation’s premier tribute to 90s country.

From the first fiddle riff to the last boot-stompin’ encore, we bring the iconic sounds of Garth Brooks, Alan Jackson, Brooks & Dunn, and more to life in a high-energy concert that’ll have you singing every word. This isn’t just a show — it’s a full-blown 90s country party.

We’re a crew of seasoned pros who grew up on this music and now travel the country delivering the hits, the harmonies, and the honky-tonk vibes that defined an era. Whether it’s your first time seeing us or your fifth, every night with The Nashville Nights Band is a trip back to when country was king.

So throw on your boots, grab your friends, and come experience The Ultimate 90s Country Experience — live and loud, just the way it was meant to be.

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***Tickets on sale Friday, February 20 @ 10AM ET***

Eggy is redefining the modern jam band experience with a blend of rich songwriting, exploratory improvisation, and magnetic live energy. The Connecticut-based quartet—Jake Brownstein (guitar, vocals), Dani Battat (keys, vocals), Mike Goodman (bass, vocals), and Alex Bailey (drums, vocals)—has built a reputation for emotionally resonant songs and live performances that turn every set into an unpredictable, communal experience.

2024 marked a breakout moment for the band with the release of their sophomore album Waiting Game, a refined studio statement co-produced by White Denim’s James Petralli. The album propelled Eggy into their largest headline touring year to date, while earning standout performances at major festivals including Austin City Limits, Electric Forest, and Suwannee Hulaween.

That momentum only accelerated through 2025. Eggy continued expanding their footprint with extensive headline touring, a growing list of festival appearances, and a reputation as one of the most consistently compelling live acts in the jam and rock space. Around Halloween, the band sold out back-to-back nights at Cervantes in Denver, transforming the city into a pilgrimage site for fans with their themed run celebrating The Ballad of Blucifer. The shows underscored the band’s ability to create moments that feel both playful and deeply meaningful, while proving their staying power in key markets.

As they look ahead to 2026, Eggy enters a new chapter defined by confidence, creative ambition, and sustained growth. With continued headline touring on the horizon and plans to begin creating new music in early 2026, the band is focused on pushing their sound forward without losing the emotional core that has defined them. From intimate rooms to sold-out club runs and marquee festival stages, Eggy continues to convert first-time listeners into lifelong fans. Wherever they play next, one thing remains constant: no two shows are ever the same, and the journey is just getting started.

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Hans started it… Mike called about putting together an act for a big outdoor festival and Hans insisted they do the music of Queen. So, Adam was called, then Bryn. Mike was already playing with Sandip and Erin, so they joined in. Finally, Hans got Dave who filled in all the magical gaps, and they were off.

Mr. Fahrenheit arrived at a fast pace. They played that outdoor festival in North Charleston for an audience exceeding 1400 people. They sold out their second show ( and the next five ) in Mt. Pleasant, then on to Isle Of Palms to play The Windjammer’s outdoor stage for a packed house. Two Sold Out shows in a Hilton Head, a second run at The Windjammer, and next sold out The Charleston Pourhouse.

Mr. Fahrenheit is looking forward to upcoming shows across the Southeast.

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**TICKETS ON SALE FRIDAY 4/10 at 10AM ET**

Veteran singer/songwriter Edwin McCain had his major-label breakout in the mid-’90s with Honor Among Thieves. McCain became a Top 40 “Radio Star” with chart-topping singles and soundtrack success with the songs “I’ll Be” and “I Could Not Ask For More”. More recently, Edwin has been touring with Hootie & the Blowfish, Collective Soul, and Train; and had a “breathtaking” experience performing hit songs disguised as Nessy, The Loch Ness Monster during a run to the Final Five during season #13 of the hit US TV show The Masked Singer.

His first full studio album in 15 years was released in 2025. Edwin co-produced Lucky with Lee Brice and Jerrod Niemann. The album’s ten tracks span blues, soul, rock, and folk influences. From the rollicking opening track “Chasing a Memory” to the aching ballad “Love Me or Leave Me Alone” to the Southern rock tribute “Sing for You,” Lucky reflects McCain’s musical roots while embracing modern inspirations, including an electronic edge on “Empire.”

Dubbed a “great American romantic” by The New York Times, McCain continues to connect with fans through his music as well as viral TikTok videos where his witty, self-deprecating humor—often at the expense of his exasperated daughter—has won over a new generation of fans. A podcast based on his TikTok life and more touring are in the near future for McCain, but the fame part of the life does not phase him. “I found myself in this sweet spot doing this for 35 years,” Edwin muses. “And if I end up playing for tourists on a deck in Hilton Head one day? That would be OK, too.”

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Jammy Buffet is where Jimmy Buffett’s coastal storytelling meets jam-band improvisation. Fronted by singer-songwriter Bob Barrick with Brendan Mayer, Mickey Lenny, and Tyler Gwynn, the Colorado–Tennessee group revives Buffett’s “Gulf & Western” sound with fresh energy and musicianship. Their shows blend greatest-hit singalongs, deep-cut gems, and cosmic grooves—sun-soaked, high-spirited, and always a party. Featuring regular collaborations with members of Jimmy’s Coral Reefer Band, Jammy Buffet is redefining paradise for a new generation.

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Port City Rock Jam is a one-day music and arts extravaganza celebrating music, arts and community while giving back to two important local non-profit organizations. We are proud to donate all proceeds to Play it Forward Wilmington and Eden Village.

Our event seeks sponsorships to cover the event costs to make it possible for us to donate all of the proceeds from ticket sales to these two great local Wilmington organizations.

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Launched a little more than twenty years ago in Raleigh, North Carolina, Chatham County Line built a devoted local following on the strength of their genre-bending live show—an intoxicating blend of bluegrass, folk, country, and rock and roll—before breaking out internationally with their 2003 self-titled debut. In the years to come, the band would go on to release eight more critically acclaimed studio albums, top the Billboard Bluegrass Chart four times, collaborate with the likes of Judy Collins, Sharon Van Etten, and Norwegian star Jonas Fjeld, earn two gold records in Norway (where they were also twice nominated for the Spellemannprisen, Norway’s equivalent of a Grammy), and share bills with everyone from Guy Clark and Lyle Lovett to Steve Martin & Martin Short and The Avett Brothers. NPR hailed the group as “a bridge between bluegrass traditions and a fresh interpretation of those influences,” while Uncut lauded their “powerful melodies and gorgeous harmonies,” and Pitchfork dubbed their music “timeless.”

The band’s latest release, Hiyo, marks the band’s first release since the departure of their longtime banjo player and serves as something of a reintroduction to the roots stalwarts, complete with new sounds, new collaborators, and a whole new lease on life. Recorded at Asheville’s Echo Mountain studio with co-producer/engineer Rachael Moore (Kacey Musgraves, Robert Plant and Alison Krauss), the collection finds the trio—Dave Wilson (lead singer/guitarist), John Teer (fiddle/mandolin) and Greg Readling (bass/pedal steel), embracing change at every turn, experimenting with fresh sonic palettes and innovative approaches to their core instrumentation. The songwriting remains classic Chatham County Line here—rich, evocative tales of love and heartbreak, joy and sorrow, righteousness and revenge—but the settings have evolved to incorporate synthesizers, drum machines, and more electric guitar and percussion than ever before. Given the group’s string band roots and decades spent singing around a single microphone, the results are nothing short of revelatory, taking an enduring sound and injecting it with a thrilling new spirit of discovery and vitality.

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Penelope Road is an Atlanta soul-pop quintet comprised of Max Moore (lead vocals/guitar), Charles Eastman (lead vocals/keys), Koan Roy-Meighoo (vocals/guitar), James Kopp (bass), and Anthony Smith (drums). The band is on a mission to bring real, immersive performance back, having sold over 20,000 tickets in the first half of 2025 alone. From jamming in a grimy college house on Penelope Road to going viral with attic jam clips, the band’s grassroots following led to a Warner Records deal, a self-titled 2024 EP, and sold-out dates headlining and supporting Goose and Lake Street Dive. Their second EP, The Diamond Street Sessions, recorded at Diamond Street Studios with David Ryan Harris, showcased warm, groove-filled tracks like “Out Tonight” and “Flowers (Carry Me Home),” while their 2025 EP Chance Encounter features heart-on-sleeve lyrics and full-band energy. Penelope Road closed out 2025 with three sold-out hometown shows and a feature on Grammy.com’s Grammy Reimagined for their Eagles cover “Lyin’ Eyes,” and they’ll be taking that that momentum into 2026 with a North American headline tour, marking them as one of today’s most exciting bands to watch.

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Easy Honey is a Charleston, SC based indie rock band that infuses its singer-songwriter folk roots with an original mix of nostalgic East Coast surf-rock.

Originating at The University of The South: Sewanee over a cooler filled with freshman year college punch, the dynamic of this group is one of their strongest elements, existing with an electricity and a true sense of comradery both on and off stage.

The tremendous creative power between the band’s members Selby Austin (vocals, guitar), Darby McGlone (vocals, guitar), Charlie Holt (drums, vocals) and Webster Austin (bass, vocals) is on full display in their versatile new EP, Plaid (out April 30 via Third Brother Records), which they wrote and recorded over a three-day session at an isolated cabin in snowy Marble, Colorado.

Mixed with a steady sheen by the legendary Tony Hoffer (Beck, Phoenix, The Kooks, Air, M83), the rapid-fire five-song set deepens their beachy indie-pop style with vibrant new colors as they serve up witty melodies, catchy, relatable hooks and raucous yet sentimental lyrics about love, wistfulness and life’s big moments.

Easy Honey, like so many of their mutual rock heroes, cut their teeth on the road and have built a devoted following of daydreamers and night seekers through extensive touring and sold-out gigs. Just like their live shows, which have taken them to audiences nationwide, their influences remain all over the map and pull from the classic rock and power-pop staples of their parents’ record collections (Big Star, Neil Young), up through ’90s alt heroes Blind Melon as well as indie tunesmiths like Dr. Dog.

This winter, Easy Honey will support The Runarounds (from the hit Amazon Prime Series) ahead of their own headline tour and will appear as an official showcasing artist at SXSW. No matter if they’re harmonizing next to a beach bonfire or exploring the rhythmic twists of a funky riff on stage, their music inevitably pulls you closer with an open-armed, all-are-welcome spirit.

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***TICKETS ON SALE FRIDAY, DECEMBER 12 @ 10am ET***

Charles Esten is an accomplished American actor, comedian, and singer-songwriter known for his versatile performances on both screen and stage. He is widely recognized for his roles as “Deacon Claybourne” in ABC/CMT’s NASHVILLE, and “Ward Cameron” on Netflix’s Outer Banks. Esten first gained national attention as a popular recurring performer on the improvisational comedy series “Whose Line Is It Anyway?” where his quick wit and musical improvisations made him a standout favorite.

Since the success of NASHVILLE Esten has built a respected reputation as a singer-songwriter. In early 2024, he delivered what Billboard called his signature “loose, rough-cut country,” independent debut album, Love Ain’t Pretty, to much acclaim. Surpassing 35 million streams to date, he’s a 2018 Guinness World Records title holder for the “Most consecutive weeks to release an original digital single by a music act” after releasing 54 original songs once a week for 54 straight weeks. He’s made over 190 appearances at Nashville’s iconic Grand Ole Opry and performed multiple headline tours in the U.S. and Europe.

Esten serves as the National Honorary Spokesperson for the Leukemia & Lymphoma Society’s annual Light The Night Walk, and is a board member and volunteer for Musicians On Call.

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Creativity is like a fire in a fireplace: You have to tend it or it will go out. For nearly two decades, Matisyahu has kept his creative spirit aflame by evolving his sound, melding genres, and testing the limits of the musical traditions that have inspired him. His latest release, Hold The Fire, and its leadoff single “Fireproof” takes inspiration from a fire dream inspired by Matisyahu’s Old Testament religion, which has meant so much to his spiritual and creative life since his recording career began in 2004 and his breakout track “King Without a Crown” blasted into the Billboard charts in 2005. In a roundabout way, those same Old Testament roots springboarded Matisyahu’s music career.

Growing up outside New York City, the young Matthew Miller followed jam bands like Phish and the Grateful Dead. Then, in Bob Marley and reggae, he found that the messaging of Rastafarianism was sourced in part from that same Old Testament. The sound that emerged on his first albums—including his first two studio releases as well as 2005’s Gold-certified Live at Stubb’s—embraced both the spirit of reggae and his spirituality and roots in Judaism. Buoyed by hits like “King Without a Crown,” albums like the Grammy-nominated and Billboard No.1-ranked Youth in 2006, and the Gold-certified 2009 antiwar hit “One Day” (streamed over 150 million times on Spotify alone), he toured extensively through the second half of the aughts with a high-energy stage show that has since grown to include more improvisation. All the while his music expanded into a shapeshifting collision of reggae, hip-hop, alt rock and boldly inventive pop. Today, he continues to be inspired by evolving musical trends, finding linkages and loops between eras and genres. Matisyahu’s spirituality has evolved in parallel with his music, though his Jewish heritage remains a central theme throughout his life and music. The new EP, Hold The Fire (out February 2024), also finds him reflecting on celebrity and artistic success. For Matisyahu, “the unbelievable and miraculous feeling of being connected to our people” is what keeps the creative fire alight.

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**Outdoor Show** – **Rain or Shine** – **No Outside Chairs Allowed**

ABOUT WILDERADO:
When Wilderado began writing songs for their second album, Talker, the idea of chasing after their debut record’s success — including pair of Top 10 hits on alternative radio — couldn’t have been further from their minds.

“We were coming off 265 days on the road, and we all felt a little broken,” says frontman Maxim Rainer. “We had to ask ourselves if we still wanted to do this, and we decided that the only way to rejuvenate the band was by making new music that we love. That was our only rule.”

The result is Talker, a dynamic record that finds Wilderado reframing their purpose and broadening their perspective. Recorded with producers Chad Copeland (Sufjan Stevens, SYML) and James McAllister (Gracie Abrams, The National) in Norman, Oklahoma, it’s the sound of three musicians shrugging off the allure of success and, instead, embracing the thrill of the unknown.

“This record was a process of rediscovering the things that made us excited about our band at the very beginning, back when we were writing songs for nobody but ourselves,” says Rainer, a Tulsa native who co-formed Wilderado in 2015. “When you’re a brand new band, you have no expectation of anyone else hearing you. We wanted to go back to the beginning and revisit that excitement.”

Like all of Wilderado’s releases, Talker blurs the boundaries between genres, creating a multi- sided sound — soft-hued and subdued one moment; anthemic and buoyant the next — that defies categorization. “We’ve always had an eclectic catalog and an ‘anything goes’ mentality, where the only thing that matters is the song itself,” Rainer says. Appropriately, the songs are the real stars of Talker. With “Sometimes,” Rainer pulls back the curtain to expose the skeletons in his own closet, including the coping mechanisms that most keep under wraps. “Sometimes I hide it when I’m high,” he sings in a Midwestern drawl, contrasting the vulnerability of his lyrics with bright acoustic guitars and sunny, singalong hooks. He gets personal during “Tomorrow,” too, turning a hypnotic guitar pattern from bandmate Tyler Wimpee into the launchpad for a song that tackles big topics like religion and being trapped in a search for God. “Tyler used to play that riff every night during soundcheck,” he explains. “It helped me write something I’ve always wanted to write, which is about my relationship with the Church, my experience growing up in a Christian family, and where it’s left me now. It felt very freeing to say those things. A lot of our first LP was about being on the road, and I didn’t want to regurgitate that same idea on our new album. Instead, I decided to get confessional and vulnerable.”

He got collaborative, too. In addition to writing songs with his two bandmates — guitarist Wimpee and drummer Justin Kila — Rainer also teamed up with the British band Flyte, whom Wilderado had met in London while on tour in 2022. Together, they created songs like “Longstanding Misunderstanding,” writing the track during a 25-minute burst of creation in the recording studio. “A big part of my growing process with this album was learning to ask for help, which isn’t easy for me to do,” he admits. “But it turned out so beautiful, every time I did.”

Equally beautiful were the new album’s mellower moments. “Everyone in Wilderado had fallen in love with music that was softer on our ears, and that influenced our writing,” says Rainer, who sings Talker’s songs in an unforced voice that occasionally gives way to a gentle, high- flying falsetto. “We began asking ourselves, ‘What if we keep the drive and the groove that’s always been part of our music, but dial back the approach of both the vocals and the drums?'”

The strategy worked, filling songs like “Bad Luck,” “Tomorrow,” and the title track with a mix of laidback swagger and calm, collected energy. Talker still finds moments to get loud, too, building its way toward atmospheric crescendoes with “Waiting On You” and “After All.”

Wilderado aren’t chasing after hits. They’re just being themselves — and enjoying it. With Talker, they’ve hit a new stride, fueling themselves up on sharp songwriting and adventurous arrangements before setting off toward some new horizon. This is Wilderado at their best: inspired, invigorated, and answering to nobody but themselves.

ABOUT SAM BURCHFIELD:
The title of Sam Burchfield’s latest album, Nature Speaks, is both a statement of belief and an instruction: to listen carefully, to feel the world move through you, and to heed its loving nudge.
Recorded in just five days at Studio 1093 in Athens, Georgia with co-producers and collaborators Ryan Plumley and Jason Kingsland (Delta Spirit, Youth Lagoon, Deerhunter), the upcoming album is Burchfield’s most stripped-down and spirit-forward to date.

“Just before we recorded, I was in New York City on tour,” Burchfield shares. “My wife was at home, pregnant with our second child. I was taking a walk through Washington Square Park, feeling this hyper-vivid awareness of the beauty of the city, and at the same time, this intense pain of being away from my family.” In that moment, a man sitting at a public space piano began playing the song Burchfield’s partner walked down the aisle to at their wedding. Coincidence or cosmic wink, it stirred Burchfield’s soul. “It felt like walking through a portal.”

For Burchfield, like many of us, it took a moment of poignant distance to illuminate his place of utmost belonging—back in the Blue Ridge Mountains, among his family. And with that radical clarity came a revitalized artistic confidence, a turning point in accepting and trusting his own musical intuition, the intuition from which Nature Speaks beautifully emerges.

Burchfield grew up in serene Seneca, South Carolina. His instinct to write was there from the start, his itch to share was unrelenting. He spent his childhood setting speakers up in parking lots and coffee shops, playing with whomever would join him on “stage” to whomever would listen. At college in Athens, Georgia, he found the scene he’d been trying to create for himself. Opportunities emerged in rapid succession. Burchfield won a songwriting competition, recorded his first EP, and found himself suddenly entangled in sparkly offerings from network television and major labels, chances that ultimately felt more like a detour than a dream come true.

“It was honestly insane,” says Burchfield. “Things felt a little out of my control. I had to really lean on people I respected, whose wisdom I trusted—teachers, friends, family.” Burchfield recognized early on the indispensability of creative autonomy, and the sources of support that kept him grounded. “My community gave me the courage to walk away from paths that didn’t feel right.”

He’s been building a catalog since 2014—originals, concept works, and live recordings. “I think there are like, four or five albums out there at this point?” Burchfield questions, endearingly unprecious. He is as sincere and unassuming as his guitar-playing—earthy and affectingly to-the-point. “Truthfully, it’s been a long journey toward artistic identity. I’ve learned a lot about living into yourself, discovering who you are by simply being.” Nature Speaks is no doubt Burchfield’s best offering to date, largely due to that resonant sense of self.

The album came together during a momentous new phase of fatherhood. “There is always something to sacrifice in the present in order to create a future,” Burchfield says. “And in many ways, I used music to parent myself through all the changes.” Burchfield impulsively penned and tracked the stunning album closer “Morning Light” at home, around three o’clock in the morning. The song softly buzzes with the white noise of a sleeping household, a lullaby of its own kind. “I was writing a message of comfort to myself when I needed it,” he says. His vocals are hushed and heavy with the weight of profound transformation, a soothing surrender to the life that lay ahead.

The theme of commitment glitters throughout Nature Speaks. Standout single “Stay (Betty Blue)” is a tender and arresting tune of devotion, a vow of stability against wavering mental health and the general fragility of life. Burchfield wrote it for his wife—a musician, painter and poet—on their anniversary. “You don’t know what you’re going to have to confront when you enter a relationship. We all have different battles to fight.” In his sandy, evocative vocals, he makes the colorful promises that account for real love: And if you get lost on the other side, I’ll plant roses in your mind / If you go mad and hurt yourself, I can lick your wounds until you’re well.

Burchfield’s sixth release is a source of sacred calm in an overwhelming world, a generous invitation into a rooted life: a family’s unconditional love, a hometown’s soothing mountainscape, a sturdy salvation in knowing who you are. “Capturing and connecting with humanity is why I make music,” says Burchfield. “This album is more human than anything I’ve done before.”

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Prepare to be transported back to the vibrant 1970s as New York City’s premier ABBA tribute band, Mamma Mania brings the classic hits of one of pop music’s most iconic groups to life. With their dazzling costumes, flawless harmonies, and captivating stage presence, this tribute captures the essence of ABBA’s unforgettable sound.

From “Dancing Queen” to “Mamma Mia,” fans will enjoy a night filled with nostalgia from a stellar cast of musicians! Performers include current or former touring members of: Mamma Mia – Official North American Tour, Marc Martel’s Queen Extravaganza, INXS, Britney Spears, Rob Thomas, The Weeknd and many more! Mamma Mania pays homage to ABBA’s legacy, celebrating the timeless melodies and uplifting lyrics that have charmed listeners for generations.

Join us for an evening of music that showcases not only the incredible songs but also the joyful spirit of ABBA. Whether you’re a lifelong fan or new to their music, this tribute promises to be an unforgettable experience filled with energy, enthusiasm, and plenty of dancing. Don’t miss your chance to be part of this extraordinary celebration of ABBA from some of New York’s finest!!

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DMTB is a celebration of the music of the Dave Matthews Band – a time machine to a funky tea party in the 90’s, a boisterous era of tape trading, sing-alongs, and exploration into a new sonic landscape spearheaded by complex guitar riffs, soaring violin melodies, smooth sax lines, and explorative-explosive drumming.

Dedicated to recreating that moment in musical history, the DMTB has been honing their craft for over 20 years. Since 2004, the band’s ruthless touring schedule has been unparalleled, playing over 2000 shows in 46 states and 10 countries. The Buffalo, NY based band has successfully paid tribute to the Dave Matthews Band, with heartfelt recreation of DMB’s musical spirit.

The DMTB aims to transport the listener back in time. The band takes inspiration from the classic DMB sound, with immense respect for the original quintet. While including material from the bands later and current catalogs, the goal is to create a well rounded and authentic tribute.

The attention to details, love for the music, and sense of community creates an atmosphere that causes concert goers to say “…wow, if I close my eyes, it’s like I’m there!”

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Hailing from Denver, Colorado, Clay Street Unit mixes the acoustic instrumentation of bluegrass and folk with the amplified energy of Americana and country. The result is a singular interpretation of American roots music that blurs the borders between genre and geography, fusing the influence of the Rocky Mountains with the traditions of the Appalachians. Driven forward by drums, sharp songwriting, and the chemistry of good friends and musical brothers who’ve shared countless hours on stage, Clay Street Unit’s music doesn’t just nod to the band’s influences; it reshapes them into something new. With their debut album on the horizon, Clay Street Unit are staking their claim as torchbearers of something both fresh and familiar, nodding to the foundations of American music while sharpening their own progressive edge.

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Heart Brigade: A Tribute to Heart Heart Brigade is a premier tribute band based in Raleigh, NC, dedicated to bringing the music of Heart to life with passion and authenticity.

More than just a tribute, Heart Brigade also pays homage to the bands that inspired Heart, incorporating classics from Led Zeppelin and The Who into their high-energy performances.

Experience the power, passion, and authenticity of Heart Brigade – a true celebration of one of rock’s greatest bands!

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Cracker has been described as a lot of things over the years: alt-rock, Americana, insurgent-country, and have even had the terms punk and classic-rock thrown at them. But more than anything Cracker are survivors. Co-founders David Lowery and Johnny Hickman have been at it for over a quarter of a century – amassing ten studio albums, multiple gold records, thousands of live performances, hit songs that are still in current radio rotation around the globe [“Low,” “Teen Angst (What The World Needs Now),” “Euro-Trash Girl” and “Get Off This,” to name just a few], and a worldwide fan base – that despite the major sea-changes within the music industry – continues to grow each year.

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Steep Canyon Rangers arrive at a moment of renewal and reaffirmation with Next Act, their 15th studio album set to be released May 22, 2026. The record represents a conscious tightening of focus: a return to the bluegrass foundations that first bound the band together, approached with the confidence and emotional range earned through years of collective evolution. It is an affirmation that bluegrass still contains endless expressive possibility. Next Act finds the Rangers sounding deeply at home in their own musical language, drawing strength from tradition while continuing to write new chapters within it.

Formed in North Carolina and shaped equally by the Appalachian Mountains and the Piedmont, Steep Canyon Rangers have long occupied a singular space in American roots music. From their earliest recordings, the band demonstrated an unusual ability to honor traditional bluegrass forms while allowing contemporary songwriting, literary influence, and regional storytelling to seep naturally into the music. Over time, this balance earned them both bluegrass credibility and broader Americana acclaim, culminating in a Best Bluegrass Album GRAMMY Award for 2013’s Nobody Knows You, additional nominations for Rare Bird Alert (2012) and North Carolina Songbook (2020), and an induction into the North Carolina Music Hall of Fame.

In recent years, as their audience expanded and their songwriting reach grew wider, the Rangers began to feel a pull back toward the elemental forces that shaped them: acoustic instruments speaking clearly, songs built for ensemble interplay, and stories grounded in lived experience and regional memory. Next Act emerges from that impulse.

Steep Canyon Rangers is made up of Graham Sharp on banjo and vocals, Mike Guggino on mandolin/mandola and vocals, Aaron Burdett on guitar and vocals, Nicky Sanders on fiddle and vocals, Mike Ashworth on drums, dobro, percussion and vocals, and Barrett Smith on bass, guitar, and vocals.

***This will be an outdoor show***

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An unbreakable bond shared between lifelong mates, Dave and Henry hail from the tiny farming community of Kojonup, a town three hours south of Perth, Western Australia.

Starting out as school friends and rehearsing in a makeshift space in an old farm shed, Old Mervs are a far cry from their humble beginnings.

Riding a wave of wins, Old Mervs are celebrating a massive 2025 after the success of their
ARIA-charting debut album release and sold out tours across Australia, the United States, the UK and Europe.

Recorded with ARIA award-winning producer Chris Collins, their debut self-titled album scored coveted Australian youth broadcaster triple j’s Feature Album of the week and landed at #1 on the ARIA album charts, winning hearts with hits “Parched“, “What You’ve Lost”, “Forget It”, “Everyone Will See It” and “Don’t Go”.

In 2025, the pair embarked on a mammoth 20 date album tour across Australia and New Zealand along with their biggest headline home-state show to date at Perth HPC. They then headed to the US to play at world-renowned festival Lollapalooza alongside names like Olivia Rodrigo, Tyler the Creator and Sabrina Carpenter, bookended by a massive run of headline shows across the States, stopping in for a Audiotree session too. They closed out the year with a return to the UK and their first ever shows in Europe.

This year looks to be just as big, if not bigger. With new music in the pipeline, and a stack of touring at home and across the globe, Old Mervs are thrilled to return to the US again for a stack of huge headline shows, along with Kilby Block Party, Gov Ball and more dates to be announced!

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Drivin N Cryin is an enduring American rock band whose roots-forward sound and uncompromising spirit have made them a vital force since forming in Atlanta, Georgia in 1985. Blending Southern rock grit, folk storytelling, and hard-charging rock & roll, the band built a reputation early on as a must-see live act and a songwriter’s band with depth far beyond trends.

Led by singer-songwriter Kevn Kinney and anchored by bassist Tim Nielsen and drummer Dave Johnson, Drivin N Cryin broke through nationally with a run of influential albums that helped define late-’80s and early-’90s American rock. Songs like “Fly Me Courageous,” “Honeysuckle Blue,” “Straight to Hell,” “Build a Fire,” and “Scarred But Smarter” became staples of rock and AAA radio, with Fly Me Courageous earning Gold certification and remaining a cornerstone of the band’s catalog.

While they emerged during the MTV era, Drivin N Cryin never disappeared. Over four decades, they’ve remained a consistently touring, recording band — releasing new music, evolving their sound, and cultivating a loyal, multigenerational audience. Their influence extends well beyond their own recordings; “Straight to Hell” found new life through covers and collaborations that introduced the song to entirely new audiences.

The band’s stature is reflected in both peer respect and formal recognition, including induction into the Georgia Music Hall of Fame, as well as Kinney’s induction into the Milwaukee Music Hall of Fame. Touring history includes shared stages with artists spanning multiple eras and genres, The Who, Hootie & The Blowfish, The Black Crowes, ZZ Top, Soul Asylum, Blackberry Smoke, The Marshall Tucker Band, Jason Isbell, along with recent appearances on destination events like Rock Boat, Outlaw Country Cruise, and Moon Crush.

Their latest album, Crushing Flowers, marks a deliberate return to the band’s core. Stripped back to the original three-piece, the record favors clarity, chemistry, and feel over excess — a confident, back-to-basics statement from a band that knows exactly who it is. Rather than chasing nostalgia or novelty, Crushing Flowers reinforces what has always set Drivin N Cryin apart: honest songs, emotional weight, and the unmistakable sound of a band still fully engaged in the work.

Nearly forty years in, Drivin N Cryin remains a living, breathing American rock band — not a revival act, not a footnote, but a continuing story still being written.

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The music of Aerosmith has all the ingredients to make any event successful & one to remember. It brings back memories with their catchy hooks & sing-a-long melodies. With 50 years of multi-platinum selling mega hits starting with vinyl album -era releases like “Dream On” (1973) , “Sweet Emotion” & “Walk This Way” (1975), to MTV era- cassette tape & Cd releases of “Dude Looks Like A Lady” ,”Rag Doll”, & “Love In An Elevator” (late 80’s).The band penned a string of more chartbusters in the 90’s and pinnacled with their first number 1 single ever in 1998 with “I Don’t Want To Miss A Thing”. You don’t have to wait very long to hear one of your favorite songs at a Pandora’s Box show!

In 2015, Atlanta based singer-front man Nathan Utz & guitarist Steve Taylor decided to form Pandora’s Box Ultimate Aerosmith Tribute not only due to their fondness of the band’s music, but also because Nathan has an uncanny resemblance to Steven Tyler & very similar vocal qualities. Steve & Nathan tell a story about walking across a parking lot once & 3 college age young men approached Nathan for an autograph, thinking he was Steven Tyler! It became apparent in the first year of Pandora’s Box playing shows that it was quickly taking on a momentum & energy of it’s own, playing sell out shows all over the Southeast, up & down the East Coast, Alaska, and Hawaii. In 2018 Pandora’s Box became Royal Caribbean Cruise Line’s top requested headline feature act, which took them international!?

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A Savannah, GA native, Jonah Kagen is the embodiment of raw talent and relentless dedication. At just 25, Jonah has already made waves with over 386 million global streams, 2.5 million monthly listeners on Spotify, and two critically acclaimed EPs—The Roads and Black Dress, featuring hit “God Needs The Devil” which is presently Top 15 at Alternative radio and was chosen as one of Spotify’s Best Pop Songs of 2024.

Jonah’s unique artistry extends beyond his deep, universally resonant songwriting. He is also a skilled guitarist and instrumentalist, having played many instruments since childhood. And to round out his self-sufficiency, he has taught himself how to produce every note,  most recently in an Airstream that he transformed into his personal mobile studio.

The Airstream isn’t just a fun adventure; it’s a reflection of Jonah’s spirit, drawing inspiration from both nature and legends before him like Townes Van Zandt, Jason Isbell, and Andy McKee. Whether touring on his sold-out solo dates or performing alongside the likes of Sam Barber and Chance Peña in the US and abroad, Jonah’s sound is a blend of personal experience and universal connection. Unsurprisingly, Jonah’s balance of grit and musicality make him a festival mainstay having performed at the historic Austin City Limits,  AmericanaFest, Summerfest, and RedWestwith and will continue this summer with stops at RiverBeat, Under The Big Sky, Calgary Stampede, Bourbon & Beyond, and more.

With his electrifying energy, sincere songwriting, and genre-defying sound, Jonah Kagen is one to watch.

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Saxsquatch is a 7’ tall multi instrumentalist, producer, and electronic music artist from North Carolina.

He has accumulated over 3 million followers online through releasing music with legends such as John Oates, Billy Ray Cyrus, the band WAR, and songs with the infamous electronic music label Monstercat. In 2021, Saxsquatch created theme music for Rocket League, and the following year had music featured in Fortnite. Saxsquatch has been trending on Rolling Stone’s website and on the front page of Forbes for his music releases.

Showcasing his spell binding stage presence, he has been a guest on Jimmy Fallon’s “That’s My Jam!’ and Tosh.0 and has shared the stage with Tedeschi Trucks Band, Goldfish, Andy Frasco, Here Come the Mummies, Sam Bush, and Pigeons Playing Ping Pong.

Saxsquatch’s live show is a mind bending experience showcasing his music production, stage plot, and saxophone skills over original music, remixes, and crowd participation. His dream of creating the “Bigfoot Rave” tour came to fruition in 2024, adding a laser show to an already dynamic set. His next tour, “Footprints” sold out 27 shows across the United States, ending at a sold out show in Denver at Cervantes Ballroom. After being so well received across the United States and selling out major markets, the search for this cryptid won’t be hard. You can find him on tour or at major festivals across the world.

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Hailing from the vibrant music scene of Denver, Colorado, Steely Dead is a national touring band that has satisfied the curiosity of music lovers with their unique blend of Grateful Dead and Steely Dan. Comprised of four exceptionally talented musicians – Dave Abear on guitar, Matt Abear on bass, Chris Sheldon on drums, and Dylan Teifer on keys – Steely Dead has gained a dedicated following with their electrifying performances and soulful interpretations of classic tunes.

Steely Dead’s repertoire is a carefully crafted fusion of Grateful Dead and Steely Dan songs, between the arrangement and precision studio recordings of rock legends Steely Dan, cross-pollinated with the Grateful Dead’s free-flowing, melodic improvisation and masterful song segues. Steely Dead merges these major concepts together infusing the influence into each band, all the while creating an original jam element with the song segues. Steely Dead’s performances are a musical journey that takes audiences on a nostalgic trip through the golden era of rock and roll.

As a national touring band, Steely Dead has built a loyal fan base that eagerly anticipates their shows and follows them from city to city. Their performances are not just concerts, but communal gatherings where fans come together to celebrate the music they love, dance, and create lasting memories.

Steely Dead’s performances are a testament to the power of live music, bringing people together and creating an unforgettable experience that resonates long after the last note fades. Steely Dead is not just a band; it’s a musical experience that captures the hearts and souls of music lovers everywhere.

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ABOUT MORGAN WADE: Rather than smoothing over life’s rough edges, Morgan Wade leans directly into them. Never one to mince words or play coy, the celebrated singer-songwriter has built her career around undeniable honesty and vulnerable storytelling, turning life’s hardest moments into songs that feel both deeply personal and universally understood. With a voice that carries equal parts grit, vulnerability, and strength, Wade has emerged as one of the most compelling storytellers in contemporary country and roots music.

Her breakthrough album Reckless introduced listeners to Wade’s fearless songwriting and raw emotional depth, earning widespread critical acclaim and a fiercely loyal fanbase. Songs like “Wilder Days” showcased her ability to balance arena-sized hooks with confessional lyrics – a signature style that quickly set Wade apart in Nashville and beyond.

Since then, the Virginia native has continued to expand her sound and storytelling with her albums Psychopath, Obsessed, and most recently The Party Is Over (recovered). Blending country, rock, and Americana influences, her music explores themes of addiction, mental health, resilience, and self-discovery with striking authenticity. On her forthcoming and much-anticipated fifth studio album, Wade will continue the deep exploration of her psyche.

Wade is making her acting debut with a recurring role in the new season of Dutton Ranch, an expansion of the critically acclaimed Yellowstone universe. Whether on record, on stage, or on the big screen, Wade delivers performances defined by emotional clarity, intensity, and connection, solidifying her place as one of the most distinctive voices in modern music.

ABOUT SUSTO: Susto Stringband Abbreviated BioJustin Osborne has been performing as ‘Susto’ since 2013, when he formed a collective offellow musicians and artists in coastal Charleston, South Carolina. Now a bona fide emissary ofalt rock and treasure to the indie crowd, a lifelong calling coupled with a cosmic push ofserendipitous happenstance led to his latest venture: ‘Susto Stringband’ joined by Americanavocalist Clint Roberts, clawhammer banjoist Helena Rose, and upright bassist Joey Brown (nowHoller Choir).

Lightning struck as an immediate connection and artistic chemistry captured a new sound andvisualization that unfolds on Susto Stringband’s debut release from New West Records, simplytitled “Susto Stringband: Volume 1.” Nine of Osborne’s ballads, refrains and heart wrenchingconfessions, now drenched in the singular Appalachian sound of Holler Choir’s verdantharmonies and stringed arrangements. Still, steeped in the emotive punch of the traditionalstring band sound, Susto Stringband presents an Arcadia like vision of pastoralism and andharmony with nature, but with Osborne’s lyrics, there are landmines to dodge and mountains to climb.

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The Brook & The Bluff return to their rock & roll roots with Werewolf – a high-voltage, live-inspired album that turns up the amps, pushes the tempo, and howls in four-part harmony. Fueled by the sharp songwriting and stacked vocals that have defined their catalog, the collection captures the raw, supercharged energy of the band’s concerts.

After nearly a decade of nonstop touring – earning hundreds of millions of streams with fan favorites like “Halfway Up” and “Everything Is Just a Mess” – the band regrouped in Nashville, meeting every morning to write and rehearse like their early days in Birmingham, Alabama. Life unfolded in the background: weddings, divorces, real-world growing pains. Inside the room, it was all music.

The band channels the swamp rock spirit of legendary artists like Creedence, Petty, and The Eagles, delivering loud, melodic, deeply human songs like lead single “Super Bowl Sunday” – a crashing, introspective anthem about ego and emotional blind spots. “The goal was to treat the record like a live set,” says frontman Joseph Settine. And that’s exactly what they’ve done.

Armed with a new album and an unflinching spirit, The Brook & The Bluff are ready to hit the road again to continue their 2026 Werewolf tour. The band boasts a history of sold out headline tours across the continent, a number of major festival performances, and have supported artists like Noah Kahan, Mt. Joy, The Avett Brothers, Ashe, and Rainbow Kitten Surprise.